Mr. Goldberg and his Variations

For all of his life, but particularly after retreating from his official duties in the 1740’s, Bach was concerned with encyclopedic and comprehensive answers to any given compositional challenge. He had started publishing his music quite late in life, in his mid-40’s, some time after he had already secured his position as a prolific composer and undisputed player. In 1741, he released the ‘Aria with 30 Variations’, better known as the Goldberg Variations, as one of several volumes in a series called ‘Clavier-Übung’, which means both, keyboard exercise and keyboard practice.

What is the story behind this marvelous composition? Where does the theme (Aria) come from? Why 30 variations? How are they structured? And what does it mean to arrange this intrinsically keyboardist piece? Which instruments to pick and why? Finally, which role does Goldberg play in all that? This lecture/recital explores some of the behind-the-curtain questions one comes upon when studying, practicing, performing, and arranging Bach’s immortal cycle.

Download the programme here.

Alexander Weimann is one of the most sought-after ensemble directors, soloists, and chamber music partners of his generation. After travelling the world with ensembles like Tragicomedia, and as a frequent guest with Cantus Cölln, the Freiburger Barockorchester, Gesualdo Consort and Tafelmusik, he now focuses on his activities as conductor of the Pacific Baroque Orchestra in Vancouver, Music Director of the Seattle Baroque Orchestra and regular guest conductor of ensembles including the Montreal Symphony, Symphony Nova Scotia, Arion Baroque Orchestra in Montreal, and the Portland Baroque Orchestra.

Early Music Vancouver (EMV) has a reputation for the presentation, production, and study of Western classical repertoires in an historical, international, and cross-cultural context. It offers one of the most ambitious programs of its type in North America, featuring renowned local and guest artists. Green College and EMV have had a close association since the mid-1990s and EMV has for many years mounted a recital series at the College.