Iain Fenlon, Historical Musicology, Cambridge University; Cecil H. and Ida Green Visiting Professor at UBC
Iain Fenlon has now retired from teaching at the Faculty of Music, but until September 2017 was Professor of Historical Musicology at the University of Cambridge. Most of his writing has been concerned with the social and cultural history of music in early modern Italy and Spain. His books include a two-volume study, Music and Patronage in Sixteenth-Century Mantua (1980), a monograph on the early Italian madrigal (with James Haar) (1988), and Music, Print and Culture in Early Sixteenth-Century Italy (The Panizzi Lectures, British Library, 1994). His most recent books are The Ceremonial City: History, Memory and Myth in Renaissance Venice 2007), Piazza San Marco (2009), and (co-edited with Inga Mai Groote), Heinrich Glarean’s Books: The Intellectual World of a Sixteenth-Century Musical Humanist (2013). His current research concerns the place of music and devotion in both the private and public life of Venice and the towns and cities of the Veneto. He is a collaborator on the “Early Modern Conversions” research project funded by the Social Sciences and Humanities Research Council of Canada, which is a partner with Green College in the lecture, discussion and podcast series “Transforming Sounds / Altered Selves”
ORFEO RECUPERATED, MONTEVERDI TRANSFORMED
Coach House, Green College, UBC
Tuesday, October 31, 5-6:30 pm, with reception to follow
in the series
Transforming Sounds / Altered Selves: How Music Changes in Time, Changes Us, and Changes Our Worlds
In the spring of 1607, Monteverdi’s Orfeo, claimed by music history as the first true opera, was given its first performance before an elite aristocratic audience in the Gonzaga palace in Mantua. Alessandro Striggio, a high-ranking Mantuan court official, wrote the libretto, drawing on an episode familiar to many from Ovid’s Metamorphoses. This transformation of a classical myth into a vernacular play was, however, just the first phase of a complicated process of musical mise en scène. Although Monteverdi’s music was published in an elaborate score two years later, it was not given any further performances and then lay dormant until the late nineteenth century. The history of its subsequent recuperation presents a fascinating panorama of organic adaption and conversion which spans four centuries and continues to this day.
Monteverdi’s Orfeo will be presented by Early Music Vancouver at the Chan Centre for the Performing Arts at UBC on Sunday, 29 October at 3 pm, with a pre-concert talk by Iain Fenlon at 2:15 pm. Tickets from the Chan Centre box-office or via www.earlymusic.bc.ca
